The story of Charlotte can be told through the evolution of the arts in the city: from a tentative, conservative, localized arts scene to a more vital, diverse, and bolder arts culture with room to run.
This week the Charlotte International Arts Festival, a Blumenthal Arts Original production, under the leadership of Blumenthal Arts CEO Tom Gabbard, is underway. CIAF includes the Festival of India, the Latin American Festival, and over 200 imaginative events and performances in Uptown and Ballantyne. CIAF also marks the opening of Blume Studios, in the new Iron Arts District, hosting immersive arts experiences and multi-media productions.
We turn back the clock to 2005 and an interview with Gabbard, then the recently installed president of the North Carolina Blumenthal Performing Arts Center. Gabbard shared a candid assessment of Charlotte audiences and his vision for how the arts in the city might change.
In 2012, as part of our Critical Issues series, we published 'Sounding the Alarm' by Scott Provancher, then president of the Arts & Sciences Council. In a call for desperately needed innovation in the city's funding model for the arts, Provancher wrote, "At the risk of being an alarmist, I am concerned that the entire funding model that fueled our cultural explosion over four decades is no longer working." That work continues.
Tipping our hat to the new CharlOZ Festival, we include 'Why Wizard of Oz Still Resonates with Americans,' a 2016 essay by Dina Schiff Massachi, lecturer at UNC Charlotte who is the project director for CharloOz. We also include a poem about a self-diagnosing Barbie (before Barbie became cool again) by Lyn Lifshin and an artist gallery by Kit Kube. And don't miss our PDF magazine from 2010 and 2005!
Forward,
Mark Peres
Charlotte Viewpoint Founder
The Charlotte Center Founder & Executive Director